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Mabantu is a well-known Bongo Flava music group hailing from Dar es Salaam, Tanzania, consisting of two gifted artists: Twarha Kanengo (Twarha Mabantu, born on July 9, 1997) and Mwarami Kajonje (Muuh Mabantu, born on January 21, 1999).
In their most recent release, “Spakoo“, Mabantu collaborates with Baddest 47, a Tanzanian artist renowned for his Afrobeat sound. Originating from a pastoral family, Baddest 47 opted for an unconventional route in the music industry, crafting a distinctive style that resonates with audiences throughout the region.
Together, they present a lively collaboration that fuses Bongo Flava and Afrobeat, making “Spakoo” an essential track to listen to.
Rosary Robert Iwole, widely recognized as Rosa Ree, is a Tanzanian rapper and singer who has significantly impacted the East African music scene. She collaborates with Edger Vincent Mwaipeta, known by his stage name Dizasta Vina a Tanzanian Hip Hop artist and music producer born on February 17, 1993, in Iringa. He is also a co-founder of the music collective Panorama Authentik.
Their joint effort, “Sauti Za Maskini (Remix)“, is a compelling track that highlights the oppression and injustices endured by the impoverished at the hands of politicians. The song underscores how the voices of the marginalized are frequently muted, conveying a raw and thought-provoking message through the medium of Hip Hop.
Listen to”Rosa Ree Ft. Dizasta Vina – Sauti Za Maskini Remix” below;
Tanzanian sensation Zuchu collaborates with Jamaican Dancehall queen Spice on the electrifying track “Amanda (Remix).” This cross-continental partnership blends the soulful beats of Bongo Flava with the dynamic energy of Dancehall, resulting in a sound that is both lively and unforgettable.
Zuchu’s international impact is prominently displayed in this project, while Spice contributes her signature boldness and powerful vocals, making the remix an essential listen for fans worldwide.
The artist featured in this collaboration, born as “Grace Latoya Hamilton,” is professionally recognized as Spice. She is a Jamaican recording artist, singer, and songwriter. Honored as the “Queen of Dancehall” and acknowledged as one of the most influential female Jamaican artists in history, she continues to be a formidable presence and one of the leading Dancehall stars globally.
Tanzanian rap sensation MansuLi has officially unveiled his highly awaited single, “Yeah“, adding to his expanding collection. Renowned for his profound vocals, precise delivery, and exceptional storytelling abilities, MansuLi once again merges the vibrancy of hip-hop with the beats with a unique flava from Tanzania, demonstrating why he is regarded as one of East Africa’s most esteemed rap artists.
With every new release, MansuLi reinforces his status as a significant voice that embodies the essence of entertainment and culture, effectively bridging the divide between hip-hop artistry and Tanzania’s popular music scene.
In the early 2000s, Tanzania experienced a significant revolution in Rap music, leading to the rise of numerous Rap groups. Among these, Free Dogs Camp (FDC) gained considerable recognition with their hit song “Kindumbwendumbwe,” which brought them fame and became a popular topic of conversation in Dar.
Based in Kiwalani, Ilala district, Dar-es-salaam region the group was formed by three talented rappers: Ommy G, Nale Nale, and Pig Black, who particularly made FDC a subject of interest.
The song “Kindumbwendumbwe” is regarded as one of the most impactful tracks released in 2001, produced by the then-renowned and formidable producer, Miika Mwamba. The track was further elevated by the hardcore chorus from LWP (Majitu Mwitu Msitu) member “Sloter,” who showcased his unique hardcore style.
Ommy G’s commanding vocals reminiscent of Rapper DMX, Pig Black‘s rapid riffs akin to Treach of the group Naughty By Nature, and a dope chorus from Sloter of LWP (Live With Purpose) contributed to making “Kindumbwendumbwe” an exceptionally powerful track.
Who could forget Kindumbwendumbwe during that time? Anyone who experienced that electrifying beat from Miika Mwamba at the old FM Studio in Kinondoni found it impossible to remain still or refrain from nodding their heads.
All these artists continue to pursue their passions, living their lives as usual, while the remarkable contributions they made through this music scene (Industry) remain a cherished history for future generations.
Listen to “FDC – Kindumbwendumbwe” below; and do not forget to visit my social media pages for more stories like this.
It is Thursday once more, and you are already aware that it is time to embark on a nostalgic journey and reflect on those days. Today’s throwback Joint of the week is dedicated to my friends from the very beginning (I.K) “Badi Sangu,” also known as (Killa B), along with another member of the group, “Matokeo Msigwa“, also known as (Double M), “Konja Mhagama” (Kon B), and my friend “Edger” (E.G) from the Kimara neighborhood, collectively referred to as IMEDITATION KINGDOM.
For today’s post, we will concentrate on the last two verses from the song titled TUCHEBE, which was recorded at Soundcrafters studio in 1997. This song is part of their album entitled “Kimara Flava.”
Special thanks and credits go to “Jumanne Thomas” for the media utilized in this post.
Enjoy this rare gem and do not forget to visit my social media pages💎🔥🔥🔥
It is yet another Thursday, which marks our tradition of sharing a throwback 🔙 track of the day. Today, we will highlight a member of the Kwanza Unit group, presenting one of his finest solo tracks. His name is Kibacha Singo, also referred to as KSingo. The title of the song is “Heads on the Regular.”
As the title implies, the track features a hard-hitting Boombap beat that undoubtedly resonates. KSingo delivers impactful lyrics that enhance this remarkable beat. This serves as a quintessential example of Tanzanian 90s hip hop tracks that enabled Bongo Hiphop enthusiasts to genuinely experience the vibes. Big up to the Legendary producer who did the beat DJ Boniluv.
Enjoy this classic track from KBC, and remember to visit all my social media platforms for more stories and music like this. Stay blessed 🎶🎼🎵🔥🔥🔥💯💯
Listen to KBC – Heads on the regular Snippet Below;
It is Thursday once more, and today we are honoring the 90’s Tanzanian Hip Hop ensemble, The Hard Blasters Crew. Our focus today will be on their third and final album, which was released in 1999 after being recorded at MJ Records. This was possible after the addition of Joseph Haule, known as Professor Jay, who was formerly referred to as Nigga J. This album, titled “Funga Kazi 2000,” included well-known tracks such as “Chemsha Bongo,” “Mamsap,” and “Chuzi Limekubali.” The entire album was produced by Ludigo Bishota.
The featured track of the day is called “Kubwa Kuliko,” which is also part of this LP and includes contributions from Prof Jay’s older brother, Julius Haule, also known as “Mr Teacher.” In this collaboration, they address detractors and those who envy their achievements, asserting that this track is a heavyweight. Enjoy the snippet of this song below.
Hard Blasters Crew – Funga Kazi (Snippet) Ft Mr Teacher
Tanzanian rap powerhouse Songa has returned with a powerful new release titled “Umiza Ndonga“, featuring the lyrical titans Nikki Mbishi and P Mawenge. This collaboration captures the true spirit of bongo hip-hop – unrefined, straightforward, and deeply entrenched in the streets.
With incisive verses and assured flows, the trio presents a performance that solidifies their status among the most esteemed voices in East African rap. “Umiza Ndonga” transcends being merely a track it represents a movement that fuses hard-hitting beats with poetic authenticity, resonating with every enthusiast of genuine hip-hop culture.
Launched on August 27, 2025, this anthem delivers lyrical richness, social insights, and unrestrained energy, reaffirming why Tanzanian hip-hop occupies a prominent position on the global stage.
Listen “Songa Ft Nikki Mbishi & P Mawenge – Umiza Ndonga” below;
Tanzanian hip-hop sensation Rostam, comprised of Roma Mkatoliki and Stamina, presents a socially conscious anthem with their latest track “Abdul“. The duo, celebrated for their bold lyrics and exceptional synergy, is leaving a significant impact on the East African rap landscape with music that is both intellectually stimulating and entertaining.
The song ‘Abdul‘ narrates the heartrending tale of a young man navigating the severe challenges of life in Tanzania. Through his incisive verses and authentic storytelling approach, Rostam addresses critical issues such as poverty, corruption, peer pressure, street trading, and the struggle for survival against overwhelming odds. Abdul transcends the role of a mere character; he embodies the experiences of countless individuals shaped by the harsh realities of society.
Fusing bongo fleva, Afro sound, and hip-hop, the track achieves a harmonious blend of impactful beats and significant lyrics that provide both rhythm and contemplation. With this release in 2025, Rostam reaffirms that hip-hop can serve as a reflection of urban life, a voice for the marginalized, and a catalyst for change.
NGOMANAGWA 