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Chadogi MC has unveiled a new single titled “Natamba,” which is part of his recently released EP, “Commando.” This track features contributions from Arusha’s own Baddest 47. The collaboration between Singeli and dancehall artists results in a remarkable fusion.
“Natamba” is another standout track from the Singeli genre in Tanzania, currently gaining significant traction on radio stations. The production of the song was handled by Star Seven. Enjoy this exceptional piece from Chadogi MC, and be sure to stream and download it to enhance your daily playlist.
Listen to “Chadogi MC Ft. Baddest 47 – Natamba” below.
Rwandan artist Kevin Kade, also known as Richard Ngabo, hailing from Gikondo in the Kicukiro District, has joined forces with the renowned Tanzanian musician Alikiba, whose full name is Ali Saleh Kiba and is affectionately referred to as King Kiba, for their latest single titled “Bebe.”
This dynamic partnership showcases a fusion of Kevin Kade’s melodious vocals and Alikiba’s distinctive musical flair, resulting in a timeless piece that underscores the remarkable talent and harmonious collaboration of both artists.
Watch “Kevin Kade Ft Alikiba – Bebe” Video below;
You can listen to “Kevin Kade Ft Alikiba – Bebe” below.
Sho Madjozi has collaborated with an impressive array of artists, such as Tiwa Savage, Zeze Kingston, Gemini Major, Ntando Yamahlubi, Exclusive Drumz, and Tee Jay, to produce the dynamic “Kadigong Remix.”
This partnership is set to introduce a novel interpretation of the original hit track “Kadigong” while highlighting the varied talents of these influential figures in African music.
Listen to “Sho Madjozi ft Tiwa Savage, Zeze Kingston, Gemini major, Ntando Yamahlubi, Exclusive Drumz & Tee Jay – Kadigong (Remix)” below;
Gangwe Mobb is a hip hop ensemble hailing from Tanzania, specifically the Temeke neighborhood in Dar es Salaam. The group consists of two members: Inspector Haroun, whose real name is Haroun Kahena, and Luteni Kalama, known as Karama Bakari.The term “Gangwe” is derived from a popular slang expression from the 1980s, signifying “hardcore.” In their music, gangwe encapsulates the gritty and urban hip hop ethos that characterizes the majority of their tracks.
Their initial success came with the single “Mauzauza” in 1996, Dogo Side Boy was also included in this single. This single was recorded at Mawingu Studios and produced by legendary DJ Boniluv.
Producer and Legendary DJ Boniluv.
Their first album, “Simulizi La Ufasaha,” featured national hits such as “Ngangali” and “Mtoto wa Geti Kali.” The group’s second album, “Nje Ndani,” released in 2002, included what is arguably their most famous track, “Asali wa Moyo.” One of their singles, “Bundasiliga,” translates to “slinger of bundles of hay,” conveying a significant social message. Additionally, they collaborated with the Kenyan group Necessary Noize on the song “Tunajirusha.”
Gangwe Mobb has characterized their musical style as cartoon rap (rap katuni in Swahili), which reflects the experiences faced by lower-class urban youth in their daily lives. Their songs have contributed to the development of a new slang dialect, with each track introducing unique slang terms.
Among their works is the song “Rap Katuni,” featured on the “Nje Ndani” album.
At the 2004 Tanzania Music Awards, their album “Nje Ndani” received a nomination for Best Hip Hop Album. This album was Produced by Bongo Records own, P Funk Majani.
Gangwe Mobb NJE NDANI Cassette Tape Album Cover.
Producer P Funk Majani
Since 2004, the group has been relatively inactive. Inspector Haroun has pursued a solo career, while Luteni Kalama has maintained a lower profile, associating with Wanaume Family, led by Juma Nature. In 2008, Gangwe Mobb announced their intention to make a comeback.
They have indicated that their name was inspired by the iconic hip-hop group Mobb Deep.
Listen to 5 of their tracks they have released as a group below;
Calvo Mistari has unveiled a new collaboration titled Rudisha, featuring Naiboi, Zzero Sufuri, and Bobby Mapesa. This vibrant anthem combines exceptional lyrical skill with an engaging rhythm. The partnership highlights the distinct styles of each artist, resulting in a composition that is both enjoyable and intellectually stimulating. The title Rudisha, which translates to “Return” in Swahili, suggests themes of reclamation, restoration, or revisiting something of importance, imparting a reflective yet energetic essence to the track.
Rudisha stands out as a remarkable piece that adeptly merges entertainment with substance, exemplifying the power of collaboration within the Kenyan music industry. With its memorable hook and lively performances, it is an essential listen for enthusiasts of African urban music.
Listen/Watch “Calvo Mistari Ft Naiboi, Zzero Sufuri & Bobby Mapesa – Rudisha” below;
Young Dee’s recently released track, “Headache,” is an energetic anthem that encapsulates the challenges and stresses of everyday life while exuding a sense of resilience and determination. The song features a powerful beat infused with elements of hip-hop and trap, which perfectly aligns with Young Dee’s vibrant flow and incisive lyricism.
In this composition, he articulates the various difficulties that lead to “headaches,” ranging from personal struggles to societal pressures, while underscoring his capacity to overcome them. “Headache” emerges as a rallying cry for perseverance in the face of adversity, resonating with anyone navigating the highs and lows of life.
Mingo Classic and Baddest 47 have released a Bongo Flava Music track titled “Toto” in January 2025. This song exemplifies the classic Bongo Flava genre, featuring an engaging and danceable rhythm. It showcases their distinctive style, merging vibrant beats with profound lyrics.
“Toto” is distinguished by its catchy melody and impactful performance. Immerse yourself in the essence of Bongo Flava Music with this enthralling track.
Listen to “Mingo Classic Ft. Baddest 47 ‐ Toto” below.
Simuachi by Phany Love serves as a poignant tribute to enduring love, intertwining profound emotional resonance with soulful harmonies. In this composition, Phany Love articulates steadfast devotion to a partner, skillfully navigating the challenges of life while pledging to remain steadfast.
The title, Simuachi (which translates to “I won’t let go” in Swahili), encapsulates the essence of its sincere message. Phany Love’s smooth vocals seamlessly blend with a delicate instrumental backdrop, featuring subtle guitar melodies and gentle rhythms that create an atmosphere of closeness and affection.
Nasubiri by Spack is an enchanting and poignant composition that delves into the themes of patience, hope, and yearning. The title, which translates to “I am waiting” in Swahili, encapsulates the song’s reflective nature, as Spack presents soulful vocals accompanied by sincere lyrics. The arrangement of the piece features a fusion of Afrobeat rhythms and melodic harmonies, resulting in an engaging and relatable experience for the audience.
Spack’s vocal performance embodies both vulnerability and resilience, effectively capturing the essence of anticipation in matters of love and life. With its rich production and moving narrative, Nasubiri strikes a profound chord, delivering a compelling message about maintaining hope amidst uncertainty.
Rayvanny, a prominent figure in Tanzanian Bongo Flava, collaborates with the esteemed Alikiba in the track “Naoa,” which is a highlight from Rayvanny’s second album, “The Big One.” This poignant partnership merges their distinct musical styles, resulting in a tribute to love and cultural heritage.
As the third track on the 18-song album, “Naoa” exemplifies the talent of two legendary East African artists. Be sure to view the official music video, which serves as a remarkable visual enhancement to this memorable song.
NGOMANAGWA 