Tag: Afrosounds

AUDIO | Bien Ft. Alikiba – Finale

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Kenyan Afro-pop artist Bien-Aimé Baraza collaborates with Tanzanian music legend Alikiba in a much-anticipated project titled “Finale,” which officially debuted on March 25, 2026. This track signifies a significant milestone in East African music, uniting two of the region’s most esteemed talents.

Bien, who is widely recognized for his contributions to Sauti Sol and his flourishing solo career, continues to broaden his musical influence across Africa. Conversely, Alikiba is regarded as one of Tanzania’s most prominent artists, renowned for his smooth vocal style and enduring hits. “Finale” marks their inaugural collaboration as solo performers, following their previous partnership on “Unconditionally Bae” in 2016.

The song fuses Afro-pop rhythms with rich vocal performances and heartfelt delivery, showcasing the synergy between the two artists. It encapsulates themes of love, closure, and introspection portraying a poignant moment between two individuals arriving at the concluding phase of a relationship or journey, conveyed through seamless harmonies and refined production.

Listen to “Bien ft. Alikiba – Finale” below;

VIDEO Below;

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Throwback Thursday | Saigon (of De-Plow-Ma-Tz) – Take A Ride.

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It is yet another Thursday, and we are delighted to present this week’s Throwback Thursday feature. Today, we will explore two initial singles from the group that had a profound impact on the youth in Tanzania.

DPT stands for “De-Plow-Ma-Tz.” The group is comprised of “Saigon Treach” (Saleeh Mzee), “Balozi Dola Soul” (Ahmed Dola), “Trip Dogg” (Philip Mwimanzi), “Stiggo” (Stiggo Mwamba), and “Storm” (Amour Shamte). Furthermore, the DPT family includes manager and organizer Ngwessa.

The inception of DPT traces back to 1992 when Saigon, Stiggo, and Trip Dogg met at Tambaza Secondary School and began rapping for fun. Over the years, various individuals have joined DPT for different durations. Saigon met Dola Soul in Lagos, Nigeria, where their families lived. As indicated by the name, the core members of DPT are sons of Tanzanian diplomats, who have provided them with substantial support.

Today, we will concentrate on their first single, which was not featured on their debut album, “Tha De-Plow-Ma-Tz.” The track, titled “Word is Born,” was recorded at Soundcrafter Temeke Studios in 1996 and served as the group’s introduction, showcasing members who were mainly students at Tambaza Secondary School. The second single, “Turuke Kwa Furaha,” was included in the album.

Today, we will highlight the solo performance by Saigon on their first album. This song was immensely popular among the youth in the 90s, particularly for those residing in Dar-es-Salaam. The song frequently aired on Radio One Stereo. This track is titled “Take A Ride.” This Joint was recorded at MJ Records under the Production of Master J.

Listen to two verses from Saigon of (De-Plow-Ma-Tz) with “Take a Ride” below;

Throwback Thursday | Kwanza Unit – Haturap

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Kwanza Unit, often abbreviated as KU, translates to “First Unit” and was established in 1993 through the amalgamation of several factions, including the Villain Gangsters, headed by the renowned rapper Rhymson (also known as Ramadhan A. Mponjika), Riders Posse, Tribe X, and a variety of solo performers.

The founding members of Kwanza Unit include Rhymson, KBC (Kiba Cha Singo), D-Rob (Robert Mwingira), Eazy-B (Bernard Luanda), Fresh-G (Godfrey Koshuma), and Y-Tang aka Yusuph, among others. Additionally, there exists a broader network of affiliated individuals known as the Kwanza Unit Foundation or Kwanzanians.

The group’s debut album, titled Kwanza Unit, was launched in 1994, followed by their second album, Tropical Techniques, in 1996. Their third album, Kwanzanians, was released in 1999, available in both cassette and CD formats. The single “Msafiri,” featured on the third album, Kwanzanians, garnered considerable attention.

In today’s throwback post, we will spotlight the track “Haturap,” which includes verses from all five members who participated in the recording of the first album in 1994. I am providing a snippet of approximately 3 minutes for you to enjoy the essence of 90’s hip hop music in Tanzania. Relish this rare gem recorded at Mawingu Studios, Mwenge Dar-es-salaam, under the production of the legendary DJ and Producer Boniphace Kilosa, also known as DJ Boniluv.

Listen to “Kwanza Unit – Haturap” below;

Throwback Thursday | Hard Blasters Crew – Mambo Ya Mjini.

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It is Thursday once more, and today we are honoring the 90’s Tanzanian Hip Hop ensemble, The “Hard Blasters Crew” (HBC). The group initially consisted of five members: Terry Msiagi (Luna T aka Fanani), William Shundi (Big Willie aka Crazy One), Ngida Raphael (KC1), Gabriel Kilunga (Tuff Jam), and Frank Korassa (Trigger F).

In 1993, they took part in the Yo Rap Bonanza Competition and secured the second position. This achievement prompted them to launch their debut album, “Mambo Ya Mjini,” in 1994 which included hit tracks such as “Matapeli,” “Cheka nao,” “Mabishoo,” and “Ni Hard Blasters.”

Today, we will concentrate on the self-titled track from this LP, “Mambo Ya Mjini.” In this masterpiece, you will hear “Terry” and “Big Willy” sharing insights about urban life, and the chorus goes, “Usiige Mambo ya Mjini, Oh Yeah Usiige hovyo Mambo Ya Mjini, Ooh yeah.”

Special appreciation goes to Norbet for the audio.

Enjoy this rare gem below ⬇️ and remember to follow us on our social media pages across all platforms 💎 🔥🔥💥💥💯💯💯

Hard Blasters – Mambo Ya Mjini (Snippet)

Throwback Thursday | Mchizi Moxie Ft Mangwair – Demu Wangu (Original Version)

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It is a brand new Thursday, and in keeping with our tradition, we present this week’s Throwback Thursday track. Today, we will shine a spotlight on a song by a member of the group (Wateule), born Taikuni Ally, who is also known by his stage name as “Mchizi Moxie“. This track features the late Albert Mangweha, affectionately known as “Mangwair“, and is titled Demu Wangu.

This excerpt is from the original version; the remix was the one that was released as a single upon its debut in 2004. As the artist Mchizi Moxie himself has pointed out, many people are unfamiliar with the original version.

This single was recorded at MJ Records, produced by Joackim Kimaryo, who is also recognized as Master J.

Enjoy this rare version of the song, and please remember to follow me on all my social media platforms.

Listen to Mchizi Moxie Ft Mangwair – Demu Wangu (Snippet) below;

Throwback Thursday | NIGGUZ II PUBLIC – Lazima Ukubali.

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Another Thursday has come, offering a chance to contemplate a remarkable group from Kurasini, Dar-es-Salaam, Tanzania. NIGGUZ II PUBLIC (N2P) was a distinguished hip-hop group that attained considerable success in the 1990s.

The ensemble consisted of three members: K Bass, G Buffa, and Diz Nigga. Their popular track “Fikiri Chini” made a significant impression on Radio One Stereo in 1996.

Today, we will concentrate on their song “Lazima Ukubali,” which translates to “You will have to recognize,” essentially conveying that one must accept the long-term goals they aspire to achieve.

The song “Lazima Ukubali” was recorded and produced at DON BOSCO STUDIO by Producer Marlone Linje.

Enjoy this track from N2P below;

Throwback Thursday | G.W.M – Haya Twende

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It is Thursday, which signifies a special moment. Today, we honor G.W.M with their track “Haya Twende”, one of the two songs that marked their entry into the Tanzanian music scene.

G.W.M, an acronym for Gangstas With Matatizo, is also referred to as Mazimwi, with the word “matatizo” translating to problems in Swahili. Emulating the persona of a U.S.-style gangsta rapper in Dar es Salaam undoubtedly poses its own set of challenges.

However, G.W.M has remained dedicated to reality rap, performing solely in Swahili, and tackling the daily hardships encountered in the streets of Bongo. This term, a colloquial reference to Dar es Salaam, suggests the need for intelligence to navigate life, as “bongo” means smart or clever in Swahili.

The group is comprised of three members:
D CHIEF (real name Robert E. Makala)
EASY DOPE (real name Richard Makala), who is the elder sibling of D Chief
K.R. MULLAH (real name Rashid Ziada)

The music of the 90s had its unique flavor. A special acknowledgment goes to DJ “Boniluv” real name “Boniphace Kilosa” (Photo below) for producing this track and their album “Mikosi.” Their most popular song was “Cheza Mbali na Kasheshe.” K.R. Mullah and D Chief formed an inseparable duo.

Additionally, a shout-out to Jumanne Thomas for sharing the audio clip of this song. #bongo90s #gwm #tmkstyle #tbt #bongothrowback🎼🎼🎼🎼🎼🔥🔥🔥🔥💯💯

Listen to “Haya Twende” 2 verses from G.W.M below;

Throwback Thursday | Prof Jay Dropping a Verse in Twin Cities (Minnesota 2010)

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It is another Thursday, and as you are aware, it is time to present this week’s Throwback Thursday joint. Today, we will concentrate on the heavyweight MC himself, “Professor Jay.”

This video clip was filmed in Minnesota in 2010. Can anyone identify the song from which the verse that he is rapping originates? The first individual to provide the correct answer to this trivia question will receive an mp3 of the song.

Enjoy this rare moment featuring Joseph Haule, also known as Prof Jay, delivering a verse while entertaining and spending time with fellow Tanzanians and family residing in the Twin Cities.

Watch the Video Clip of Prof Jay Below;

Audio | Fathermoh Ft Mejja – Laana

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Kenyan street-pop sensation Fathermoh collaborates with the legendary hitmaker Mejja on the track “Laana,” a gritty yet catchy partnership that fuses raw storytelling with an unmistakable street flavor.

Both artists are celebrated for their unapologetic honesty, and this song sees them fully embracing themes that mirror everyday realities and relationships. In “Laana,” Fathermoh showcases his signature melodic flow, addressing love, frustration, and emotional repercussions, while Mejja contributes with his experienced delivery, infusing humor and street wisdom that longtime fans readily identify.

The production is minimal yet effective, propelled by rhythmic percussion and a steady groove that maintains the emphasis on the lyrics and their message. The song flourishes due to its relatability, employing everyday language and scenarios to create a narrative that resonates with many listeners. It serves as a reminder of why both artists continue to be relevant—by remaining authentic, grounded, and true to the streets that have influenced their sound.

Listen to “Fathermoh Ft Mejja – Laana” below;

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Audio | Tunda Man – Naoa

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Tunda Man is a Bongo Flava artist from Tanzania, born in Dar es Salaam. He embarked on his musical journey in the mid-2000s and quickly gained fame due to his distinctive voice and catchy tracks. Throughout his career, he has worked with prominent Tanzanian artists, producing hits that have solidified his status in the Tanzanian music scene.

The track “Naoa” is a wedding-themed Bongo Flava song by Tunda Man, a renowned artist hailing from Tanzania. This song features uplifting melodies and lyrics that honor love and marriage, highlighting the cultural significance of weddings within Tanzanian society. It demonstrates Tunda Man’s talent for crafting music that resonates with daily life and celebratory events.

To complement the audio, Tunda Man has released the official music video for “Naoa,” which presents a romantic narrative focused on commitment, marriage, and the responsibilities that come with love. The video embodies maturity and the bravery required to select a lifelong partner.

In the “Naoa (Video),” Tunda Man offers captivating visuals, high-quality cinematography, and contemporary editing that enhance the song’s themes. The video is appealing to fans of romantic narratives, music centered on commitment, and modern Bongo Flava aesthetics.


Watch to “Tunda Man – Naoa” video below;

Listen to “Tunda Man – Naoa” below;

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