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WADAGLIZ is an emerging talent in the Kenyan music industry, recognized for his distinctive sound and engaging lyrics. His most recent track, “SYANDA,” has received significant attention and acclaim since its debut. This essay will explore the themes, musical style, and overall influence of “SYANDA” on both WADAGLIZ’s career and the Kenyan music scene.
“SYANDA” embodies the rich culture and lively spirit of Kenya. The title itself originates from a Swahili term that means “unity” or “togetherness.” This idea is fundamental to the song, as it highlights the significance of community and mutual support among individuals. WADAGLIZ leverages his platform to advocate for messages of unity, urging listeners to unite despite their differences. This theme resonates with many, particularly in today’s society, where divisions frequently overshadow the notion of unity.
Tanzanian rap heavyweight Songa makes a powerful return with his latest single, “Misamba,” a compelling track that fuses sharp lyricism with gritty production. This new release, crafted by the talented Black Ninja, highlights Songa’s raw storytelling prowess and lyrical supremacy within the East African hip-hop landscape.
Renowned for his intense delivery and socially aware lyrics, Songa employs “Misamba” as a lyrical canvas to depict authentic experiences, street wisdom, and the challenges of hustle and survival. The song’s Swahili title, Misamba, metaphorically signifies the struggles and harsh realities encountered by many in their daily lives themes that resonate profoundly with his audience.
Born Webiro Wassira also know as “Wakazi” has made his return, and this time he is fully committed. His latest track, “Crooked Crown,” has just been released and is already making waves in the East African rap scene. In this audacious lyrical declaration, Wakazi delivers his message with accuracy, assurance, and unfiltered truth, igniting discussions throughout Tanzania and Kenya.
In “Crooked Crown,” Wakazi addresses what he refers to as a “weak diss” from Kenyan rapper Khaligraph Jones (also known as O.G). However, instead of merely retaliating, Wakazi guides his audience through a lyrical exploration shedding light on the politics of East African rap, challenging the notion of false royalty within the industry, and championing Tanzanian artistry and cultural identity.
It is Thursday, which means it is time for this week’s Throwback Joint. Today, I will concentrate on a short-lived group consisting of three hip-hop artists from Kenya and Tanzania. The group was named WABAKIAJI, and its members included Naziz from Kenya, her cousin Jaffarai, and Jay Moe from Tanzania. This group recorded two tracks at Bongo Records under the guidance of the legendary producer P Funk Majani.
The titles of the songs they recorded were “Wabakiaji,” which translates to (Those who remained ‘Survivors’), and “Kama Ningetawala,” meaning (If I ruled). According to Jay Moe during an interview with Kuvichaka at the Classic of EFM, these songs were financed by Naziz.
Listen to “Wabakiaji” and “Kama Ningetawala” below;
Dwin (Godwin Peter Lerowi), an emerging artist in the Tanzanian Bongo Flava scene, showcases smooth vocals intertwined with lively rhythms. Hailing from Tanzania, he is part of a new generation that is transforming the genre. His debut album, Mtaani So Cold (June 2025), along with earlier singles such as “Real” and “Nice Guy,” received critical recognition, paving the way for his latest single.
Released on June 30, 2025, “MTAANI” is an audacious Afro track brimming with vibrant energy and urban soul. Drawing inspiration from street life, the term “Mtaani” (Swahili for “neighborhood” or “the hood”) narrates a tale of resilience, ambition, and community pride.
Crafted with intricate percussion, melodic strings, and Dwin’s distinctive vocal appeal, “MTAANI” offers a refreshing auditory experience and serves as a soundtrack for the indomitable spirit of African youth.
Buruklyn Boyz are pioneers in the Kenyan music industry, originating from Buruburu, Nairobi. Renowned for their impactful style and authentic drill sound, the group comprises Ajay, Mr. Right, Dencho, Young Louie, and Luizy. Since their breakout single “Nairobi”, they have become emblematic of the Kenyan drill genre, delivering unfiltered lyrics in Swahili and Sheng over captivating 808 beats.
Released on June 17, 2025, “Machete” is a powerful and dynamic Afrosound track that fuses drill and Afrobeat influences with lyrics rooted in street culture. The song highlights the group’s lyrical prowess, urban toughness, and musical growth as they expand their reach beyond Kenya. With deep basslines and swift flows, Machete serves as both a cautionary message and an anthem.
Tanzanian rap sensation Moni Centrozone collaborates with Country Wizzy and Billnass for his newest hit, “Pele Maradona.” This track serves as a vibrant anthem that combines street style with lyrical skill, honoring football legends while showcasing lyrical prowess.
Featuring powerful verses, catchy hooks, and an undeniable synergy among the three artists, Pele Maradona is set to become a beloved track in the East African hip-hop landscape.
Listen “Moni Centrozone – Pele Maradona Ft Country Wizzy & Billnass” below;
Brian Ouko Omollo, widely recognized as Khaligraph Jones, stands as a formidable figure in the Kenyan hip-hop landscape celebrated for his lyrical accuracy, powerful delivery, and transformative influence on the genre. Since the launch of his inaugural studio album, Testimony 1990, in June 2018, Khaligraph has garnered a multitude of awards, cementing his reputation as one of Africa’s leading rap artists.
Currently, under the label Blu Ink, he has released his newest hit, “Goshoree,” a dynamic track that highlights his characteristic intensity and lyrical prowess. Produced by the skilled Optics Beats, Goshoree is poised to resonate across the airwaves bold, unapologetic, and unmistakably Khaligraph.
Songa, a bold force in Tanzania’s hip-hop world, is back with a blazing new track called “Hakuna Mataataa.” This song is a dynamic fusion of sharp lyrics and Bongo Fleva energy. With roots in Singida and refined in Dar es Salaam, Songa’s music captures a raw and genuine essence.
“Hakuna Mataataa” is more than just a catchphrase; it’s a way of life. This track conveys a powerful message about keeping your focus, shedding stress, and fully embracing the journey of life. With compelling verses, authentic storytelling from the streets, and an infectious beat, Songa reaffirms his status as one of East Africa’s most admired lyricists.
Khaligraph Jones, a heavyweight in Kenyan rap, presents a compelling new project titled The Book Of Jones: 1st Chapter, which emphasizes his lyrical adaptability and global appeal. This album fuses Hip-Hop with elements of AfroBeat, serving as a bold affirmation of his esteemed position in African rap. Featuring collaborations with leading artists from across the continent, Khaligraph offers a vibrant, energetic sound that transcends geographical boundaries.
Born Brian Ouko Omollo in Kayole, Nairobi, Khaligraph Jones is recognized as one of the most impactful hip-hop artists in Kenya. Named after the late politician Dr. Robert Ouko, his journey from underground rap battles to widespread acclaim exemplifies resilience and innate talent. His distinctive flow, powerful lyrics, and socially conscious themes have garnered him a loyal following throughout East Africa and beyond.
The title of the album, The Book of Jones, implies both a personal story and a broader reflection on the rapper’s life experiences and the societal issues surrounding him. In recent years, Khaligraph Jones has emerged as a voice for the youth, tackling topics such as social injustices, economic hardships, and the daily challenges faced in urban Kenya. His music often contemplates his ascent to fame, the obstacles he has encountered, and his aspirations, making his work resonate with many listeners.
STREAM/LISTEN TO “THE BOOK OF JONES” ALBUM VIA AUDIOMACK
NGOMANAGWA 