Category: Music

Throwback Thursday | G.W.M – Kipe Kitu

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Today is Thursday, a day that holds significance. We celebrate G.W.M with their song “Kipe Kitu,” one of the two tracks that introduced them to the Tanzanian music industry.

G.W.M, which stands for Gangstas With Matatizo, is also known as Mazimwi, with “matatizo” meaning problems in Swahili. Adopting the persona of a U.S.-style gangsta rapper in Dar es Salaam certainly presents its own challenges.

Nevertheless, G.W.M has remained committed to reality rap, performing exclusively in Swahili and addressing the everyday struggles faced in the streets of Bongo. This term, a colloquial reference to Dar es Salaam, implies the necessity of intelligence to navigate life, as “bongo” translates to smart or clever in Swahili.

The group consists of three members: D CHIEF, born Robert E. Makala; EASY DOPE, born Richard Makala, who is D Chief’s elder brother; and K.R. MULLAH, born Rashid Ziada.

The music of the 90s had its distinct character. Special recognition is due to “DJ Boniluv,” whose real name is Boniphace Kilosa (see photo below), for producing this track and part of their album “Mikosi.” Their most well-known songs include “Cheza Mbali na Kasheshe” and the track we are discussing today, “Kipe Kitu.” K.R. Mullah and D Chief formed a formidable duo.

“Kipe Kitu” gained immense popularity, particularly at concerts, with the largest audience being secondary school students in the 90s. They were often compared to the American duo Das EFX due to their Igitty diggity rap style and stage presence.

In Swahili slang from Tanzania, “Kipe Kitu” means let’s leave or dip out of here.

Furthermore, a special thanks to “Jumanne Thomas” for sharing the audio of this song. #bongo90s #gwm #tmkstyle #tbt #bongothrowback🎼🎼🎼🎼🎼🔥🔥🔥🔥💯💯

Listen to “Kipe Kitu” by G.W.M below;

Throwback Thursday | Ugly Faces – Wapambe Nuksi

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From Left to Right : Mac D, Black Moses and Eazy Daz

It is Thursday once more, which signifies the arrival of Throwback Music, a moment for us to reminisce about the past filled with memorable melodies. Today, we will highlight the group “Ugly Faces” from Ilala Shariff Shamba in Dar-es-Salaam. This duo comprised two aspiring rappers who were keen to establish their presence in the music industry: Benjamin McDennis Kamtawa, known as Mac D, and Khatibu Amani, referred to as Easy Daz.

Our focus today will be on their debut single, which was recorded at Mawingu Studios in Mwenge, Dar-es-Salaam, under the production and engineering of Boniphace Kilosa, also known as DJ Boniluv.

Released in 1995, the single titled “Wapambe Nuksi” rapidly gained popularity, generating excitement among the youth during their performances at secondary school concerts. Its success was indisputable.

Left to right: Eazy Daz, Richmaka and Mac D.

In 1996, they returned to the same studio to record a second single, once again collaborating with DJ Boniluv, after their manager at the time, Richard Mwandemani, also known as DJ Richmaka, secured the necessary funding. This second track, “Chachatika,” further cemented Ugly Faces’ position in the Tanzanian music landscape.

Dj Boniluv

Listen to “Ugly Faces – Wapambe Nuksi” below and remember to follow me on all my social media @ngomanagwa.

NB: Special thanks to Jumanne Thomas for the audio.

Throwback Thursday | Kilimanjaro Natural Spring Water Ad – D Rob & Chef Rhymson

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From left to right: Jumanne Thomas, D Rob & Chef Rhymson.

It is yet another Thursday, and as you are aware, it is time for this week’s Throwback Joint. Today, we will discuss two members of the Kwanza Unit group who were pioneers in commercializing business for the water company “Kilimanjaro Natural Spring Water.” The artists in question are the late Robert Mwingira, who passed away in 2002 and was also known as D Rob or Zomba, and Zavara Mponjika, recognized as Chef Rhymson.

This advertisement was created while they were working on their Kwanzanian album in 1999. This album featured tracks such as “Run Tingz,” “Msafiri,” “Acha,” “Nakuja,” and “Beyond Belief,” among others.

This commercial advertisement opened doors for other emerging artists to create advertisements for various products, thereby enhancing their income. It demonstrated that even contemporary artists could engage in advertising and were not the hooligans that many parents feared, who believed their youth were heading down the wrong path.

“Radio One Stereo,” which catered to the new generation of youth in the 90s, along with “Clouds FM,” frequently aired this advertisement while playing youth-oriented music during that period.

Enjoy the advertisement below, and feel free to follow me on all my social media accounts @ngomanagwa.

NB: Special Thanks goes to Jumanne Thomas on the picture above with Rhymson & D Rob for the photo and this advertisement.

Throwback Thursday | Black Rhyno Ft Fatma – Don Dada

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It is yet another Thursday, and you know what that means? It is time for this week’s throwback joint. This track was released 16 years ago and is one of those infectious songs that compels you to nod your head. The track is titled “Don Dada” by the one and only Black Rhyno, featuring Hardmad’s sister, “Fatma“.

Nicholaus Haule, better known by his stage name Black Rhyno or Black Chatta, is a distinguished Tanzanian hip-hop artist, entrepreneur, and former banker. He is highly regarded in East Africa for his musical contributions and has made notable advancements in both business and philanthropic endeavors.

Mandugu Digital

“Don Dada” was produced by Ambrose Dunga, also known as “Mandugu Digital“. He created the beat for the song at Pinnacle Records, and after departing from the label, Black Rhyno recorded the vocals at 41 Records. For mixing and mastering, Dunga teamed up with another talented producer named “Chizan Brain“. Together, they ensured that the project reached its maximum potential.

Chizan Brain

“Fatma” contributed one of the most memorable hooks of all time to the song, making this track one of my favorites from Black Rhyno’s album titled “Usipime“. This album is available on all major music platforms, including Apple, YouTube, Spotify, and even the East African platform Mdundo. The album features hits such as “Black Chatta“, “Usipime Ft Dully Sykes“, “Usije niacha Ft Chid Beenz“, “Happy Ft Noorah“, and many more.

Enjoy the track “Black Rhyno Ft Fatma – The Don Dada” below, and do not forget to follow me on all my social media platforms @ngomanagwa. Rock on with this incredible bounce, and stay blessed.

AUDIO | Nandy – Hate That I Love You

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Tanzanian Bongo Flava artist Nandy, affectionately referred to as The African Princess, has made her return with the release of “I Hate That I Love You,” a poignant slow-tempo ballad that delves into themes of love, attachment, and the anguish associated with a toxic relationship.

“I Hate That I Love You” was officially launched on June 12, 2026,and was produced under The African Princess Label and distributed by Ziiki Media. The production credits go to Kimambo Beats, while the songwriting is attributed to Faustina Charles Mfinanga, known professionally as Nandy.

The track examines the internal struggle of loving someone who elicits both joy and emotional turmoil. In her lyrics, Nandy characterizes her partner as both “sugar” and “stress,” illustrating the painful dichotomy of being emotionally tied to someone who continually inflicts hurt.

With its sincere expression, “I Hate That I Love You” encapsulates the challenges of broken trust, unfulfilled promises, and emotional reliance. The narrator confesses that despite her mind’s objections, her heart continues to draw her back, making the song resonate with anyone who finds themselves torn between love and the need for self-preservation.

Watch Video by “Nandy – I Hate That I Love You” below;

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AUDIO | Wabeti Ft Juma Nature, P Mawenge & Skwiza – Kausha

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Wabeti, the skilled duo comprising Frege and Bad Ngundo from Tanzania, have collaborated with the iconic artist Juma Nature, along with P Mawenge and Skwiza, to unveil their exhilarating new track, “Kausha,” on June 14th, 2026.

This song stands as a compelling testament to the group’s capacity to infuse a novel sound into the Bongo Flava genre, demonstrating their artistic evolution through strategic partnerships with both seasoned professionals and rising stars. “Kausha” showcases Wabeti’s remarkable technical flow and their creative vision, which mirrors street life and social realities.

“Kausha” serves as a rallying cry for resilience and steadfastness. The artists employ their lyrical prowess to convey a message that acts as a guiding principle for youth striving for success, while the production ensures that every listener feels the profound motivation embedded in the verses. The message resonates with anyone seeking guidance and acknowledging the significance of perseverance amidst daily adversities in a world that frequently encourages hasty capitulation.

Since its release, “Kausha” has garnered significant attention across digital platforms. Its popularity is evident in the rapid ascent it has made on street-vibe and radio playlists throughout East Africa. Many fans are captivated by the song’s high production quality, where each vocal layer is meticulously balanced with powerful bass and clear lyrics, allowing the core message to resonate with utmost clarity and impact for all dedicated listeners.

Watch Video by “Wabeti Ft Juma Nature, P Mawenge & Skwiza – Kausha” below;

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AUDIO | Iyanii – Mikono Juu

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Kenyan artist Iyanii, whose full name is Ian Oure Okwemba, has made a comeback with a new single titled “Mikono Juu,” a lively Afrobeats dance track intended for celebrations, parties, and joyful experiences.

Officially launched on June 12, 2026, “Mikono Juu” continues Iyanii’s series of energetic releases, following songs such as “Braggadocious,” “Donjo Maber,” and “Kifo Cha Mende.” The title “Mikono Juu” translates from Swahili to “Hands Up,” fostering an atmosphere for a spirited anthem that encourages fans to dance, celebrate, and enjoy the moment.

The song captures the same vibrant spirit that has won Iyanii favor among club and festival attendees, particularly through major hits like “Pombe.” With its captivating rhythm, party-oriented message, and uplifting performance, “Mikono Juu” fits seamlessly into his growing collection of contemporary Kenyan Afrobeats and urban sound.

This release coincides with a pivotal time for Iyanii, as his previous singles “Donjo Maber” and “Kifo Cha Mende” have achieved Gold Certification, further cementing his rising influence in the Kenyan music scene.

Watch Video by “Iyanii – Mikono Juu” below;

Listen to “Iyanii – Mikono Juu” below;

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AUDIO | Ferooz – Msobe Msobe

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Tanzanian music icon Ferooz, whose full name is Feruzi Mrisho Rehani, has made a comeback with a new Bongo Flava audio single titled “Msobe Msobe.”

Officially launched on June 15, 2026, “Msobe Msobe” represents another significant addition to the discography of one of the pioneering voices that contributed to the formative years of Tanzanian Bongo Flava. The song embodies a traditional Bongo Flava essence, merging melodic narratives with contemporary Tanzanian beats.

Ferooz is fondly remembered as a former member of Daz Nundaz, a prominent group in the annals of Tanzania’s music scene. He is also celebrated for his timeless tracks such as “Starehe feat Professor Jay“, “Maji Ya Shingo” and “Kamanda,” which established him as a leading figure in the early 2000s. He also did a hook for “Nikusaidije” by Professor Jay. This was one of those golden hooks of all time by Ferooz.

His inaugural solo album, Safari, released in 2004, is regarded as one of the landmark projects in the history of Bongo Flava. With “Msobe Msobe,” Ferooz continues to demonstrate his enduring impact, re-establishing connections with long-time fans through the sound and storytelling that solidified his reputation in Tanzanian music.

Watch Video by “Ferooz – Msobe Msobe” below;

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AUDIO | Q Chief Ft Dully Sykes & Country Wizzy – Baba Lao (Timeless)

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Tanzanian Bongo Flava icon Q Chief, also referred to as Q Chilla, concludes his TimeLess project with a compelling collaboration titled “Baba Lao,” featuring fellow Tanzanian stars Dully Sykes and Country Wizzy.

Officially launched on May 20, 2026, “Baba Lao” is positioned as Track No. 10 on TimeLess, a comeback album that honors Q Chief’s legacy and impact as a prominent figure in the Tanzanian music scene. The project, released under OrbitMziki, also showcases artists like Young Lunya and Christian Bella.

“Baba Lao” serves as a bold and dynamic anthem centered on themes of confidence, success, street influence, and veteran status. The title, which translates to “Their Father” or “The Bossman,” signifies the trio’s dominance in the Bongo Flava and hip-hop landscape, as they share insights from their wealth of experience, resilience, and earned respect.

In this track, Q Chief showcases his distinctive melodic style, Dully Sykes infuses legendary street essence, while Country Wizzy contributes sharp rap energy, creating a harmonious blend of traditional Bongo Flava and contemporary hip-hop culture. Collectively, they produce a motivational street anthem brimming with ambition, leadership, self-confidence, and a hustler’s mentality.

Fueled by vibrant production, memorable hooks, and assertive performances, “Baba Lao” inspires listeners to maintain focus, exude confidence, and disregard negativity while pursuing success. As the concluding track on TimeLess, the song culminates the project with strength, vitality, and enduring street influence.

Listen to “Q Chief – Baba Lao” below;

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AUDIO | Kaa La Moto Ft Mtalibani Halisi – Mwenyekiti

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From the city of Mombasa, Kenyan hip-hop artist Kaa La Moto collaborates with Mtalibani Halisi on their latest hardcore rap track titled “Mwenyekiti.” This collaboration is characterized by incisive lyricism, clever Swahili wordplay, and a commanding microphone presence.

Officially launched on June 12, 2026, “Mwenyekiti” made its debut on Kaa La Moto’s YouTube channel. The instrumental was crafted by Kunta Official Beats, while the video was directed by Street Lights, providing the release with both a compelling sound and a visually striking street aesthetic.

The title “Mwenyekiti,” occasionally spelled as “Mwenye Kiti,” translates to “The Chairperson,” implying themes of authority, leadership, and expertise within the rap scene. In this track, Kaa La Moto and Mtalibani Halisi demonstrate their lyrical prowess, rhythmic cadence, and self-assurance as two prominent figures in Kenyan hip-hop.

Prior to its release, the collaboration generated considerable buzz, with fans speculating on which artist would deliver the more impactful verse. With its vibrant energy, powerful lyrics, and competitive edge, “Mwenyekiti” emerges as a significant offering for enthusiasts of genuine Swahili rap and Kenyan street lyricism.

Watch Video by “Kaa La Moto Ft. Mtalibani Halisi – Mwenyekiti” below;

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