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It is another Thursday, and as you are aware, it is time to present this week’s Throwback Thursday joint. Today, we will concentrate on the heavyweight MC himself, “Professor Jay.”
This video clip was filmed in Minnesota in 2010. Can anyone identify the song from which the verse that he is rapping originates? The first individual to provide the correct answer to this trivia question will receive an mp3 of the song.
Enjoy this rare moment featuring Joseph Haule, also known as Prof Jay, delivering a verse while entertaining and spending time with fellow Tanzanians and family residing in the Twin Cities.
Following the successful returns of Clipse, Mobb Deep, and De La Soul last year, T.I. emerges as the latest veteran in the rap scene aiming for a comeback.
After dedicating the past few years to his comedy career and the expediTIously podcast, alongside navigating several legal challenges, the Grand Hustle leader declared over the weekend: “T.I. is back.”
Tip initiated his comeback journey by unveiling a new single titled “Let Em Know,” which is produced by his long-time collaborator and Producer of the Year contender (due to his contributions to the Clipse’s Grammy-nominated Let God Sort Em Out) Pharrell.
With a lively, bass-heavy beat from Skateboard P, who has previously worked on T.I.’s hits such as “Blurred Lines,” “I’m Serious,” and “Get Back Up,” as well as the majority of his 2014 album Paperwork, the Bankhead bully confidently returns with a boastful anthem.
“All they do is fight for number two ’cause I’m the one / Still make ’em play with the one / All we know is success, hit her with some rich sex / Good luck gettin’ your bitch back, she forever mine ’til I let her go,” he raps.
In addition to his musical revival, T.I. has also cut his dreadlocks and reverted to his signature low fade — the polished hairstyle he sported during his prime in the 2000s.
Kenyan street-pop sensation Fathermoh collaborates with the legendary hitmaker Mejja on the track “Laana,” a gritty yet catchy partnership that fuses raw storytelling with an unmistakable street flavor.
Both artists are celebrated for their unapologetic honesty, and this song sees them fully embracing themes that mirror everyday realities and relationships. In “Laana,” Fathermoh showcases his signature melodic flow, addressing love, frustration, and emotional repercussions, while Mejja contributes with his experienced delivery, infusing humor and street wisdom that longtime fans readily identify.
The production is minimal yet effective, propelled by rhythmic percussion and a steady groove that maintains the emphasis on the lyrics and their message. The song flourishes due to its relatability, employing everyday language and scenarios to create a narrative that resonates with many listeners. It serves as a reminder of why both artists continue to be relevant—by remaining authentic, grounded, and true to the streets that have influenced their sound.
Mali Safi is a heartwarming love anthem that was released in late January 2026 by the Kenyan artist Iyanii (Ian Oure). This song serves as the fifth single from his eagerly awaited upcoming album and showcases his characteristic combination of smooth vocals and poignant storytelling.
Dedicated to his beloved, Mali Safi is a personal tribute to love, beauty, and commitment. Iyanii’s lyrics depict his partner as an angelic figure, celebrating her elegance and the happiness she brings into his life. With its uplifting tune and romantic theme, the track encapsulates the essence of genuine, steadfast love—making it a remarkable release and an ideal soundtrack for anyone experiencing love.
The hip hop scene in Tanzania is experiencing a resurgence with the debut of a new rap track titled “Tukusa 3 III,” a significant collaboration that unites some of the most prominent figures in conscious and underground rap.
“Tukusa 3 III” transcends the typical rap song — it serves as a powerful statement. Remaining faithful to the essence of authentic hip hop, the artists employ incisive lyricism, impactful bars, and profound storytelling to confront social issues, hardships, truths, and the sentiments of the streets.
Listen to “Nikki Mbishi Ft Azma, Black fire, ConBoi, Shaulin, Songa, P Mawenge, Kayvokforce, Nala Mzalendo, Jos Mtambo & Jcb – Tukusa 3 III” below;
Tunda Man is a Bongo Flava artist from Tanzania, born in Dar es Salaam. He embarked on his musical journey in the mid-2000s and quickly gained fame due to his distinctive voice and catchy tracks. Throughout his career, he has worked with prominent Tanzanian artists, producing hits that have solidified his status in the Tanzanian music scene.
The track “Naoa” is a wedding-themed Bongo Flava song by Tunda Man, a renowned artist hailing from Tanzania. This song features uplifting melodies and lyrics that honor love and marriage, highlighting the cultural significance of weddings within Tanzanian society. It demonstrates Tunda Man’s talent for crafting music that resonates with daily life and celebratory events.
To complement the audio, Tunda Man has released the official music video for “Naoa,” which presents a romantic narrative focused on commitment, marriage, and the responsibilities that come with love. The video embodies maturity and the bravery required to select a lifelong partner.
In the “Naoa (Video),” Tunda Man offers captivating visuals, high-quality cinematography, and contemporary editing that enhance the song’s themes. The video is appealing to fans of romantic narratives, music centered on commitment, and modern Bongo Flava aesthetics.
Aznas Link collaborates with Azma, Nikki Mbishi, Mex Cortez, Country Boy, P Mawenge, Manengo, One The Incredible, and Baby Boy on the track “Business Mind,” which emphasizes hustle culture, strategic thinking, and achieving long-term success.
The song promotes a transition towards discipline, careful planning, and personal growth.
In “Business Mind,” each artist presents their distinct viewpoint on work ethic and ambition, all set against a backdrop of refined modern production. The outcome is an inspiring record that resonates with enthusiasts of conscious hip hop and message-oriented Tanzanian music.
Watch Aznas Link featuring Azma, Nikki, Mex Cortez, Country Wizzy, P Mawenge, Manengo, One The Incredible, and Baby Boy – Business Mind below;
It is another Thursday, and today our attention is directed towards Temeke, focusing on a rap duo that received significant airplay on Tanzanian FM radio stations during the 1990s and early 2000s, particularly for their track that we will discuss. The group under consideration is Gangwe Mobb, known for their song “Ngangali,” which was their debut single from their first album, “Simulizi La Ufasaha,” released in 2000.
What I am about to share is a live performance of this rap duo from 2001 at the Mabaga Fresh “Chombo Cha Dola” album launch. It was an extraordinary event, and on that day, numerous artists performed live alongside them. To mention a few, there was an outstanding performance by Mr. 2, also known as Sugu, as well as Lady Jay Dee, Big Dog Posse, Manzese Crew, and Mac D, among others.
Here is a two-minute video featuring Gangwe Mobb performing their hit song “Ngangali.” Enjoy this rare performance by this rap duo.
It is yet another Thursday, and today our “Throwback Thursday” feature spotlights the group “Mabaga Fresh,” also known as “Chombo Cha Dola.” This hip-hop duo comprises two individuals with disabilities, Jumanne Omary, commonly known as “JB,” and Chritoms Mwingira, referred to as “DJ Snox,” both originating from Temeke, Dar-es-Salaam.
During the 1990s, this rap group made notable contributions to the Tanzanian “new generation music scene.” They played a crucial role in introducing one of the most prominent and esteemed bongo flava artists, Juma Kassim Kiroboto, also known as “Juma Nature,” with their hit song “Mtulize,” produced by the legendary DJ Boni Luv.
Today, we will concentrate on their song from their debut album titled “Tupo Kamili.” This track is one of those that fans adored, and every time they performed it live, the audience went wild.
Watch the live performance of “Mabaga Fresh – Tupo Kamili” on the day of their album launch.
It is another Thursday, and this one is particularly significant. It marks the first Thursday of the year 2026. Given this occasion, our selection for the Throwback Joint of the week is Triple OG Hashim Rubanza, also known as Hashim Dogo, featuring a track he recorded in 1998 at Bongo Records under the guidance of P Funk Majani.
The song is titled “I Smoke Emceez.” In this piece, the title itself is quite revealing. Hashim begins the track with the phrase, “And here is Little Some Local,” while cleverly mimicking Bob Marley’s hook from “I Shot the Sheriff,” slightly altering it to align with his concept for this joint.
This song consists of four verses; however, today I will only present the first two verses along with the chorus. This is one of the rare and exceptional tracks he has ever produced. For more tracks like this, please visit my social media at Instagram, facebook, reverbnation, tiktok, X, youtube etc @ngomanagwa.
N.B. Special thanks to J4 for sharing this audio.
Listen to the Snippet of “I smoke Emceez” by Hashim Dogo below;