Tag: African Hip Hop

AUDIO | Guilty Simpson – Tukusa 3IX Ft Nikki Mbishi & Kaa La Moto

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One of the most conscious and dope lyricist “Guilty Simpson“, Tanzanian hip hop pioneer Nikki Mbishi, and Kenyan rap veteran Kaa La Moto collaborate on “Tukusa 3IX,” a gritty boom-bap track produced by Black Ninjah.

This song is released under Dapstrem Entertainment and is part of the ongoing Tukusa series, a project celebrated for its heavy drums, sharp lyrics, and authentic hip hop energy. This installment bridges East African rap culture with Detroit hip hop through the involvement of Guilty Simpson, while Nikki Mbishi and Kaa La Moto contribute significant regional lyrical strength.

Nikki Mbishi is regarded as one of Tanzania’s prominent hip hop figures, recognized for his clever wordplay and socially conscious rap. Kaa La Moto has also established a formidable reputation in Kenyan hip hop, while Guilty Simpson is acknowledged globally for his underground rap heritage and powerful lyrical style.

“Tukusa 3IX” centers on lyrical supremacy, resilience, and the preservation of authentic hip hop. The track resonates with fans who appreciate bars, meaningful messages, and raw boom-bap production in an ever-evolving music landscape.

Listen to, “Guilty Simpson – Tukusa 3IX Ft Nikki Mbishi & Kaa La Moto” below;

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Throwback Thursday | Hard Blasters – Time For Action Feat. Killa B

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Today is Thursday, and we are once again celebrating the legendary 90’s Tanzanian Hip Hop Music from The Hard Blasters Crew. Our spotlight today is on their third and final album, released in 1999 after being recorded at MJ Records. This achievement was made possible by the inclusion of Joseph Haule, known as Professor Jay, who was previously called Nigga J. The album, titled “Funga Kazi 2000,” features popular tracks like “Chemsha Bongo,” “Mamsap,” and “Chuzi Limekubali.” The entire production of the album was handled by Ludigo Bishota.

The track highlighted today is “Time For Action,” which is also part of this LP and features contributions from Killa B born Badi Sangu of “Imeditation Kingdom” (2nd Photo below). He is the guy who introduced Nigga Jay to Hard Blasters Crew . In this collaboration, they emphasize the necessity for action without excuses. Terry Msiagi, also known as Fanani (Photo below), performed the first verse on this track. This is the sole track on the LP that was recorded in English.

Joseph Haule, widely recognized by his stage name Professor Jay, is a Tanzanian hip hop recording artist, politician, and former member of the Tanzanian parliament representing the Mikumi constituency. He stands as a significant figure in the “Bongo Flava” Tanzanian hip hop subgenre, which blends elements of Western hip hop with Tanzanian traditions, incorporating Swahili lyrics and an activist stance on pressing social issues in Tanzania, such as “UKIMWI” translate to HIV/AIDS, wealth disparity, and political corruption.

While the rain may be halted, the honor of Prof Jay in Bongo Flava cannot be diminished. On May 1, 2026, the Bongo Flava Honors will finally realize Jay’s long-awaited induction ceremony. History will be made at 710 Garden, Kawe, with Sugu The Jongwe commemorating the event.

Listen to “Hard Blasters Crew – Time for Action (Prof Jay & Killa B Verses) below;

AUDIO | Mex Cortez – MEEHX Freestyle WYFLRiddim

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A hip hop artist from Tanzania, “Mex Cortez” has released a new freestyle titled “MEEHX Freestyle,” furthering his presence in the Bongo Hip Hop scene with a dynamic and vigorous performance.

The track debuted on April 24, 2026, as part of the #WYFLRiddim (Who You Feel Like) series. The production is managed by DJ Mac and Crashdummy, providing a robust hip hop foundation that enables Mex to highlight his lyrical prowess.

Mex Cortez, commonly referred to as “The Barbender,” is celebrated for his impactful punchlines and distinctive multilingual approach, seamlessly integrating English, Swahili, and Sinhala into his flow. He has been generating a consistent buzz within the Tanzanian hip hop community, particularly among enthusiasts who value authentic bars and freestyle artistry.

In “MEEHX Freestyle,” he embraces confidence and lyrical supremacy, delivering verses that are competitive, assertive, and aimed at establishing his position in the rap industry. This freestyle exemplifies skill, clever wordplay, and a commanding presence.

Watch Video by “Mex Cortez – MEEHX Freestyle” below;

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AUDIO | Darassa Ft Khaligraph Jones – Beginning

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Tanzanian rapper Darassa collaborates with Kenyan hip-hop icon Khaligraph Jones on the track “Beginning,” a new rap partnership that exudes a strong cinematic essence. Released on April 21, 2026, the song was accompanied by a “Beginning Short Film ‘TRAILER'” like from Darassa, providing a more dramatic and film-like introduction compared to a typical single release.

According to the official release information available on YouTube, “Beginning” is attributed to both Darassa and Khaligraph Jones and was launched under CMG in 2026. The trailer-based rollout effectively positioned the song as more than just a standard audio release, incorporating a visual narrative around the collaboration. Darassa’s recent works also feature his project Take Away The Pain, while Khaligraph Jones unveiled “Uspimee” in January 2026.

Darassa is recognized as one of Tanzania’s prominent rap figures, celebrated for his fusion of Bongo Flava and hip-hop, whereas Khaligraph Jones stands as one of Kenya’s leading rap artists, boasting a long-established reputation in East African hip-hop. The collaboration on “Beginning” represents a significant regional connection between two artists with substantial fan bases and distinct rap identities.

Given the title and its introduction, the song conveys the impression of a new chapter, a bold statement, and a confident convergence of the rap scenes from Tanzania and Kenya. The cinematic presentation implies ambition, intensity, and a more grandiose display, aligning with the image both artists have cultivated over time. This interpretation is based on the title and the style of rollout, rather than an official explanation from the artists.

Listen to “Darassa Ft. Khaligraph Jones – Beginning” below;

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Throwback Thursday | G.K – 97

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Thursday has once again arrived, offering a chance to revisit some timeless melodies. Today, we honor Gwamaka Kihaula, commonly known as King Crazy GK or GK, with an outstanding track titled “97.” This song was produced by DJ Boniluv in 1997 at Mawingu Studios located in Mwenge, Dar-es-salaam.

This piece was recorded following G.K’s successful duet track “Upanga East Coast/West Coast” featuring Carola Kinasha. I would like to express my gratitude to Jumanne Thomas (J4) for discovering this treasure from his collection and sharing it with me.

Be sure to check out all my social media @ngomanagwa where I have more music and stories like this. Come through and vibe with me. Happy Thursday Y’all.

Listen to 2 mins of the Song by “G.K -97” below;

AUDIO | Chidi Beenz – Mchaka Mchaka

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Renowned Tanzanian Bongo Flava artist Chidi Beenz, popularly referred to as “King wa Ilala” and “Chuma,” presents a powerful track entitled “Mchaka Mchaka,” which showcases his authentic street style and lyrical prowess within the Tanzanian hip-hop landscape.

Furthermore, the song is frequently linked with collaborations that include artists such as Chiku K and Stick Rhymez, which infuse additional energy and lyrical interaction into the piece. Built upon a robust Bongo Flava/hip-hop base, the track encapsulates the quintessential sound that characterized Tanzania’s rap movement during its emergence.

In addition, Chidi Benz is acknowledged as one of the trailblazers of Tanzanian hip-hop celebrated for his forceful delivery, genuine street credibility, and significant impact on the evolution of the nation’s rap culture. His music continues to resonate with audiences who value authentic, unfiltered hip-hop narratives.

The track exudes a potent street essence, focusing on themes of confidence, ambition, and dominance within the rap industry. It embodies a competitive spirit, where lyrical talent, stage presence, and resilience are the hallmarks of success, rendering it a powerful anthem for self-expression and street authenticity.

Watch Video by “Chidi Beenz – Mchaka Mchaka” below;

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AUDIO | FreshlikeUhhh – Kileleni

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Tanzanian rapper FreshlikeUhhh presents a striking and impactful hip-hop track titled “Kileleni,” which was released in April 2026. The title translates to “At the Top,” symbolizing his assertive position and supremacy within the evolving New Bongo Flava genre.

“Kileleni” is crafted as a dynamic freestyle, filled with incisive lyricism, clever wordplay, and unabashed confidence. In this track, FreshlikeUhhh asserts himself as the GOAT (Greatest of All Time), making it abundantly clear that he perceives no rivals.

The song also features a robust critique of the industry, as he cleverly targets fellow rappers with witty metaphors and subtle jabs that call out weak lyrics, inauthentic personas, and a lack of genuineness in the scene. His delivery merges street energy with intellect, rendering the message both engaging and powerful.

Beyond the bravado, “Kileleni” underscores his resilience and journey, alluding to his involvement in Tema Yai Nation and how he has propelled the movement forward with unwavering determination and consistency. The track emphasizes his refusal to be eclipsed, highlighting both personal achievements and artistic development.

As a co-founder of Bar es Salaam and a prominent figure in Tema Yai Nation, FreshlikeUhhh persistently challenges limits, inspiring a new wave of bilingual and trilingual artists in Tanzania.

Watch Video by “FreshlikeUhhh – Kileleni” below;

Listen to “FreshlikeUhhh – Kileleni” below;

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AUDIO | Izzo Bizness Ft. Kusah – Wewe

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Izzo Bizness, a notable figure in the Tanzanian hip-hop landscape, continues to strengthen his impact with the launch of his newest track, “Wewe,” featuring fellow musician Kusah. Renowned for his vibrant lyrical skills and his capacity to merge traditional Tanzanian musical elements with contemporary hip-hop rhythms, Izzo Bizness has developed a substantial following both within and outside East African territories.

The partnership with Kusah, an emerging talent celebrated for his melodious voice, introduces a soulful aspect to the track, likely resonating with a wide audience. “Wewe” exemplifies Izzo Bizness’s ability to narrate stories through music while preserving a captivating beat that emphasizes the emotional depth of the narrative.

This release not only showcases Izzo Bizness’s adaptability as an artist but also strengthens Tanzania’s growing reputation as a center of innovative musical talent on the African continent. As they blend their unique musical styles, both artists are set to create significant impacts in both local and global arenas.

Listen to “Izzo Bizness Ft Kusah – Wewe” below;

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AUDIO | G Nako – Sawa Ft Lord Eyez, Nikki Mbishi, P Mawenge & Songa

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Tanzanian hip-hop artists G Nako, Lord Eyez, Nikki Mbishi, P Mawenge, and Songa unite for a compelling collaboration titled “Sawa.” This track features some of the most esteemed lyricists within the Bongo hip-hop scene.

“Sawa” serves as a hardcore rap anthem that highlights lyrical intricacy, clever wordplay, and the essence of authentic hip-hop culture. The collaboration merges the Northern influences of G Nako and Lord Eyez from the group “Weusi” with the precise, technical delivery of Nikki Mbishi, P Mawenge, and Songa, resulting in a track that resonates with true rap enthusiasts.

Renowned for their dedication to conscious music and impactful lyrical content, the artists present a performance rich in bars, punchlines, and cultural representation, embodying the spirit of Tanzanian hip-hop.

This track exemplifies the ongoing collaboration among elite lyricists who emphasize skill, storytelling, and traditional rap components, establishing “Sawa” as a remarkable release for genre aficionados.

Listen to “G Nako – Sawa Ft Lord Eyez, Nikki Mbishi, P Mawenge & Songa” below;

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AUDIO | Fredrick Mulla Ft. Mex Cortez – King Kong.

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Tanzanian hip-hop titans Fredrick Mulla and Mex Cortez, under the banner of Colossal Music, present a powerful rap anthem entitled “King Kong,” which was released in April 2026. This track distinguishes itself as a striking demonstration of lyrical prowess and authority within the East African rap landscape.

“King Kong” is a lyric-heavy hip-hop composition that showcases the sharp wordplay, self-assurance, and competitive spirit of both artists. The title itself represents their formidable presence and towering influence in the rap industry, establishing them as significant figures to be acknowledged.

With an intense delivery and punchline-focused verses, Fredrick Mulla infuses his signature storytelling and astute lyricism, while Mex Cortez enhances the track with his technical flow and authenticity rooted in street culture.

The song embodies a celebration of unadulterated rap talent, confidence, and lyrical dominance, rendering it essential listening for enthusiasts of hardcore hip-hop.

Watch Music Video “Fredrick Mulla Ft. Mex Cortez – King Kong” below;

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