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Born Webiro Wassira also know as “Wakazi” has made his return, and this time he is fully committed. His latest track, “Crooked Crown,” has just been released and is already making waves in the East African rap scene. In this audacious lyrical declaration, Wakazi delivers his message with accuracy, assurance, and unfiltered truth, igniting discussions throughout Tanzania and Kenya.
In “Crooked Crown,” Wakazi addresses what he refers to as a “weak diss” from Kenyan rapper Khaligraph Jones (also known as O.G). However, instead of merely retaliating, Wakazi guides his audience through a lyrical exploration shedding light on the politics of East African rap, challenging the notion of false royalty within the industry, and championing Tanzanian artistry and cultural identity.
It is Thursday, which means it is time for this week’s Throwback Joint. Today, I will concentrate on a short-lived group consisting of three hip-hop artists from Kenya and Tanzania. The group was named WABAKIAJI, and its members included Naziz from Kenya, her cousin Jaffarai, and Jay Moe from Tanzania. This group recorded two tracks at Bongo Records under the guidance of the legendary producer P Funk Majani.
The titles of the songs they recorded were “Wabakiaji,” which translates to (Those who remained ‘Survivors’), and “Kama Ningetawala,” meaning (If I ruled). According to Jay Moe during an interview with Kuvichaka at the Classic of EFM, these songs were financed by Naziz.
Listen to “Wabakiaji” and “Kama Ningetawala” below;
Dwin (Godwin Peter Lerowi), an emerging artist in the Tanzanian Bongo Flava scene, showcases smooth vocals intertwined with lively rhythms. Hailing from Tanzania, he is part of a new generation that is transforming the genre. His debut album, Mtaani So Cold (June 2025), along with earlier singles such as “Real” and “Nice Guy,” received critical recognition, paving the way for his latest single.
Released on June 30, 2025, “MTAANI” is an audacious Afro track brimming with vibrant energy and urban soul. Drawing inspiration from street life, the term “Mtaani” (Swahili for “neighborhood” or “the hood”) narrates a tale of resilience, ambition, and community pride.
Crafted with intricate percussion, melodic strings, and Dwin’s distinctive vocal appeal, “MTAANI” offers a refreshing auditory experience and serves as a soundtrack for the indomitable spirit of African youth.
Buruklyn Boyz are pioneers in the Kenyan music industry, originating from Buruburu, Nairobi. Renowned for their impactful style and authentic drill sound, the group comprises Ajay, Mr. Right, Dencho, Young Louie, and Luizy. Since their breakout single “Nairobi”, they have become emblematic of the Kenyan drill genre, delivering unfiltered lyrics in Swahili and Sheng over captivating 808 beats.
Released on June 17, 2025, “Machete” is a powerful and dynamic Afrosound track that fuses drill and Afrobeat influences with lyrics rooted in street culture. The song highlights the group’s lyrical prowess, urban toughness, and musical growth as they expand their reach beyond Kenya. With deep basslines and swift flows, Machete serves as both a cautionary message and an anthem.
Tanzanian rap sensation Moni Centrozone collaborates with Country Wizzy and Billnass for his newest hit, “Pele Maradona.” This track serves as a vibrant anthem that combines street style with lyrical skill, honoring football legends while showcasing lyrical prowess.
Featuring powerful verses, catchy hooks, and an undeniable synergy among the three artists, Pele Maradona is set to become a beloved track in the East African hip-hop landscape.
Listen “Moni Centrozone – Pele Maradona Ft Country Wizzy & Billnass” below;
Brian Ouko Omollo, widely recognized as Khaligraph Jones, stands as a formidable figure in the Kenyan hip-hop landscape celebrated for his lyrical accuracy, powerful delivery, and transformative influence on the genre. Since the launch of his inaugural studio album, Testimony 1990, in June 2018, Khaligraph has garnered a multitude of awards, cementing his reputation as one of Africa’s leading rap artists.
Currently, under the label Blu Ink, he has released his newest hit, “Goshoree,” a dynamic track that highlights his characteristic intensity and lyrical prowess. Produced by the skilled Optics Beats, Goshoree is poised to resonate across the airwaves bold, unapologetic, and unmistakably Khaligraph.
Songa, a bold force in Tanzania’s hip-hop world, is back with a blazing new track called “Hakuna Mataataa.” This song is a dynamic fusion of sharp lyrics and Bongo Fleva energy. With roots in Singida and refined in Dar es Salaam, Songa’s music captures a raw and genuine essence.
“Hakuna Mataataa” is more than just a catchphrase; it’s a way of life. This track conveys a powerful message about keeping your focus, shedding stress, and fully embracing the journey of life. With compelling verses, authentic storytelling from the streets, and an infectious beat, Songa reaffirms his status as one of East Africa’s most admired lyricists.
X Plastaz is a hip hop musical group from Tanzania, established in 1996 and based in Arusha. They are recognized as one of the leading acts in the Tanzanian hip hop scene. Their music uniquely blends international hip hop influences with traditional Maasai sounds, prominently featuring Maasai vocalist Merege. While Merege performs in the Maa language, the other group members rap in Swahili and Haya. Notably, Merege is often seen wearing traditional Maasai attire during performances.
The hip hop style of X Plastaz is characterized by a slower tempo compared to much of African hip hop, with a distinctive emphasis on deep Maasai chanting. Their tracks, including “Aha!”, “Dunia Dudumizi“, “Bamiza“, and the particularly popular “Msimu Kwa Msimu“, are celebrated hits within the bongo flava genre.
The original lineup of X Plastaz included the Ruff and Gsan brothers from Arusha, along with their friend and roommate Ziggy from the Tanga Region. They began their hip hop journey in 1995 while working in a barbershop. In 1996, they caught the attention of Bonnie Luv, a record producer from Dar es Salaam, who facilitated their first recording. Their debut hit, “Bamiza” (1998), quickly became one of the most played songs on Tanzanian radio for several weeks, followed by another hit, “Wachaga Piga Chata.”
In 1997, X Plastaz visited a traditional Maasai village west of Arusha, where they met Yamat Ole Meipuko, known as Merege, who was recognized as the local “singing champion” in his age group. They invited Merege to join them for performances around Arusha and Moshi. This collaboration led to the emergence of their “Maasai hip hop” style, which was met with immediate acclaim, solidifying Merege’s role as a permanent member of the group. Over time, they also welcomed additional members, including the younger siblings of Ruff and Gsan.
X Plastaz, the pioneering force in Maasai hip hop, captured the attention of Jay Rutledge, the esteemed editor of the Rough Guides ethnic music CD series. Their vibrant tracks made it onto the Rough Guides compilations spotlighting both Tanzania and African hip hop, which in turn propelled them onto the international stage, allowing them to tour through Europe and Latin America. A notable highlight was their participation in the World AIDS Day international event in 2002.
In 2004, the German label Out Here Records debuted X Plastaz’s full-length album, Maasai Hip Hop. This album featured hit tracks that had already gained popularity in the Rough Guides compilations.
Sadly, in 2006, the group suffered a heartbreaking loss with the passing of Nelly, who lost his life due to injuries from a stabbing on March 29. Born in 1976, he was the eldest member of the group and was well-known for his empathy towards the underprivileged, a characteristic that defined X Plastaz’s journey. The music video for Nelly’s last song, Nini dhambi kwa mwenye dhiki, shot at the majestic Ol Doinyo Lengai volcano, has become one of the most viewed African music videos on YouTube. Despite this significant loss, X Plastaz remained steadfast and continues to thrive.
In 2009, they released Furaha, the lead single from their highly anticipated second album. That same year, Gsan made his mark by participating in the BET Cypher with KRS One, DJ Premiere, Wale and Nipsey Hussle, an annual event that highlights outstanding MCs in Brooklyn, New York City.
They introduced another stirring single, Afrika, at the Sauti za Busara festival in Stone Town, Zanzibar, in 2010.
On March 23, 2025, we gathered to honor the memory of Gsan, born Godson Rutta, who passed away after a courageous battle with cancer. As a tribute to his life, alongside that of Faza Nelly and all the other members we’ve lost, I crafted a special mix dedicated to the fans of X Plastaz, celebrating their profound impact on hip hop music in Tanzania.
SPECIAL THANKS: To “Jumanne Thomas” who was once very close to this group for the images and some rare Xplastaz joints in this mix below.
Mr. Blue Tz stands out as a prominent artist in today’s music landscape, particularly in Tanzanian hip hop and Bongo Flava.
His new track “Tutoke” showcases his musical talent, featuring memorable melodies paired with compelling lyrics that connect with audiences. This piece delves into the themes and significance of “Tutoke,” emphasizing Mr. Blue Tz’s influence on music and culture both in Tanzania and international.
Jamal Coded, the bold rapper from Kitunda Relini, collaborates with renowned Tanzanian rap artists Fid Q and Dizasta Vina to release a compelling hip-hop anthem titled “Legacy.” Celebrated for his incisive lyricism and authentic street narratives, Jamal Coded is a prominent figure in the Bag Flippas movement, which is transforming the landscape of Swahili rap.
“Legacy” is an unfiltered and thought-provoking song that fuses traditional hip-hop elements with impactful lyrics. Fid Q contributes his iconic wordplay, while Dizasta Vina enhances the track with his sharp delivery, making it essential listening for genuine hip-hop enthusiasts.
Listen to “Jamal Coded Ft. Fid Q & Dizasta Vina – Legacy” below;
NGOMANAGWA 