Tag: Bongo Hip hop

Throwback Thursday | BDP Kamili – Njoo Tulifinye Pala (Live version)

· Leave a comment ·

It is another Thursday, and as is customary, we present to the public our throwback joint of the week. This week, we are honored to share a track from Kinondoni’s finest, BDP Kamili.

BDP Kamili is a Tanzanian rap group comprised of three members hailing from the Kinondoni district. The members include Wilfred “Drezzy Chief,” Deogratius Saki, also known as “Kompyutah,” and Issa Haruna, who is referred to as “Chronic Finger.”

In the year 2000, they launched their debut album titled “Wosia.” The album featured singles such as “Rudi Mpenzi,” “Unakosea,” and “Bahati ya Mwenzio,” which were particularly appreciated by fans.

The group attained significant success in the early 2000s, releasing multiple albums and several singles that received considerable airplay on radio stations in Dar es Salaam, Mwanza, and Arusha. Noteworthy tracks include “Kona Zote,” “Kumwambia,” and “Maimuna.” Furthermore, Kompyutah has embarked on various solo projects.

Today, our attention turns to a live performance joint that gained popularity in the 90s. This performance was delivered by the group in 1999 and was recorded by DJ Boniluv, who was the DJ on that occasion. The joint is titled “Njoo Tulifinye Pala,” which translates to “Come, let us eat Ugali.”

Enjoy this rare gem, and do not forget to follow me on all my social media platforms. Cheers.

Relish this nostalgic track by streaming it below.

“BDP Kamili – Njoo Tulifinye Pala”

AUDIO | Boshoo & Danny Msimamo ft Hardmad – KO

· Leave a comment ·

The underground energy converges with seasoned expertise! The emerging talents Boshoo and Danny Msimamo have teamed up with the iconic “Mfalme wa Reggae” and Bongo Hip-Hop legend, Hardmad, to present a powerful new single titled “K.O.” This track exemplifies a masterclass in lyrical warfare and street-level narratives.

“K.O.” (an abbreviation for Knock Out) is a high-energy Bongo Hip-Hop and street anthem. The song asserts a declaration of supremacy within the music industry. Utilizing sharp metaphors and forceful flows, the artists articulate their resilience, lyrical prowess, and their capacity to “knock out” any rival or hurdle in their way.

The addition of Hardmad infuses a sense of “Old School” authority and distinctive flavor into the track. His characteristic deep voice and rhythmic delivery create a striking contrast to the dynamic styles of Boshoo and Danny Msimamo. It is a composition centered on power, respect, and the unyielding quest for excellence in the industry.

“K.O.” revitalizes the sound for those yearning for the raw, unrefined essence of Tanzanian Hip-Hop. The production emphasizes heavy drums and features a gritty, atmospheric beat that commands attention. The synergy among the three artists is flawless, with each verse generating increasing momentum.

This is an 11/10 for any genuine enthusiast of Bongo Rap. It is uncommon to witness the new generation effectively bridging the divide with legends like Hardmad. The track is vibrant, lyrically rich, and exudes a “Big Stage” ambiance.

Watch Video “Boshoo & Danny Msimamo ft Hardmad – K.O” below;

Download MP3:

AUDIO | Solo Thang – Tukusa 3V – Shangazi Kaja

· Leave a comment ·

Tanzanian hip-hop artist Solo Thang, whose real name is Msafiri Kondo, makes a striking return with a compelling and insightful track titled “Tukusa 3V (Shangazi Kaja),” produced by Black Ninjah. This song distinguishes itself as a lyrical composition rich in storytelling, symbolism, and potent social commentary, all conveyed through a traditional hardcore rap style.

Solo Thang is recognized for his profound writing, urban narratives, and audacious approach to societal issues. In this latest release, he employs satire, metaphors, and dramatic storytelling to illustrate themes of power, familial discord, and the challenges encountered by everyday individuals. The production features a dark, cinematic hip-hop sound that complements the weighty message embedded in the lyrics.

“Tukusa 3V (Shangazi Kaja)” narrates a story through family characters serving as symbols, demonstrating how leadership, authority, and decision-making can significantly impact the lives of many. The song intertwines humor, sorrow, and critique, embodying the voice of the streets and the frustrations of a generation yearning for justice, transformation, and accountability.

QUOTABLE LYRICS

Eti Shangazi Kaja, like Devil SHE wear Prada
Usizugwe na Taswira Ukadhani NI Mtu wa Ibada
Ye ANAONGOZA cabal! Jitusu Ukiyakanyaga
Ndio Utajua -kwanini anaitwa (Iddi Amin Dada!)

Listen to, “Solo Thang – Tukusa 3V (Shangazi Kaja)” below;

Download MP3:

AUDIO | Jay Moe – Tukusa 3Vii

· Leave a comment ·

Tanzanian Hip-Hop heavyweight born Juma Mchopanga also known as Jay Moe makes a triumphant return with yet another impactful entry in his renowned series, titled “Tukusa 3Vii.” This installment continues the tradition of storytelling and genuine reflection that has characterized the Tukusa series throughout the years.

Jay Moe, a trailblazer in Swahili Hip-Hop and a highly regarded figure in Tanzania’s rap community, is celebrated for his profound lyrics, mature themes, and his talent for conveying real-life experiences through his music. In “Tukusa 3Vii,” he skillfully merges classic storytelling techniques with contemporary production, presenting a track that addresses themes of growth, responsibility, and the evolution of life.

The song contemplates the transition from youthful impulsiveness to adulthood and maturity. Jay Moe candidly revisits his past, a time marked by chaos, street culture, and a carefree lifestyle, contrasting it with his current perspective, which emphasizes responsibility, investment, and personal development. It conveys a powerful message about transformation, learning from past errors, and accepting change as an essential aspect of life. The track resonates deeply with listeners who have navigated the transition from youthful liberty to the demands of real-life responsibilities.

Listen to “Jay Moe – Tukusa 3Vii” below;

Download MP3:

AUDIO | Aznas Link – Business Time Ft. Azma, Sugu, Solo Thang, Maarifa, Mex Cortez, Moni Centrozone, Songa, Black Queen, Kala, Boshoo & Harley

· Leave a comment ·

The Tanzanian hip hop platform Aznas Link has assembled an impressive lineup of lyricists for a significant cypher-style release titled “Business Time” also referred to as “Business Mind“, which was officially released on March 27, 2026. This track serves as a powerful declaration within the Bongo Hip Hop scene, bringing together various generations of rap talent.

The record showcases iconic figures such as Sugu (Jongwe) and Solo Thang, in addition to contemporary lyrical powerhouses like Maarifa, Songa, Moni Centrozone, and Mex Cortez, among others. This distinctive combination of classic influences and modern energy underscores the richness and progression of Tanzanian hip hop culture. The accompanying video, directed by Shebuge, contributes a compelling visual identity to the project.

“Business Time” revolves around the theme of “Muda wa Biashara” emphasizing entrepreneurship, financial advancement, and the significance of adopting a business mindset within the creative sector. As part of the Profit Season initiative by Aznas Link, the cypher highlights the importance of hustle, unity, and the shift from mere talent to economic empowerment. It transcends being just a song — it represents a movement that inspires artists to envision a future beyond music and cultivate sustainable success.

You can Listen and Watch to “Aznas Link – Business Time Ft. Azma, Sugu, Solo Thang, Maarifa, Mex Cortez, Moni Centrozone, Songa, Black Queen, Kala, Boshoo & Harley” below;

AUDIO

VIDEO

Download MP3:

Throwback Thursday | Saigon (of De-Plow-Ma-Tz) – Take A Ride.

· Leave a comment ·

It is yet another Thursday, and we are delighted to present this week’s Throwback Thursday feature. Today, we will explore two initial singles from the group that had a profound impact on the youth in Tanzania.

DPT stands for “De-Plow-Ma-Tz.” The group is comprised of “Saigon Treach” (Saleeh Mzee), “Balozi Dola Soul” (Ahmed Dola), “Trip Dogg” (Philip Mwimanzi), “Stiggo” (Stiggo Mwamba), and “Storm” (Amour Shamte). Furthermore, the DPT family includes manager and organizer Ngwessa.

The inception of DPT traces back to 1992 when Saigon, Stiggo, and Trip Dogg met at Tambaza Secondary School and began rapping for fun. Over the years, various individuals have joined DPT for different durations. Saigon met Dola Soul in Lagos, Nigeria, where their families lived. As indicated by the name, the core members of DPT are sons of Tanzanian diplomats, who have provided them with substantial support.

Today, we will concentrate on their first single, which was not featured on their debut album, “Tha De-Plow-Ma-Tz.” The track, titled “Word is Born,” was recorded at Soundcrafter Temeke Studios in 1996 and served as the group’s introduction, showcasing members who were mainly students at Tambaza Secondary School. The second single, “Turuke Kwa Furaha,” was included in the album.

Today, we will highlight the solo performance by Saigon on their first album. This song was immensely popular among the youth in the 90s, particularly for those residing in Dar-es-Salaam. The song frequently aired on Radio One Stereo. This track is titled “Take A Ride.” This Joint was recorded at MJ Records under the Production of Master J.

Listen to two verses from Saigon of (De-Plow-Ma-Tz) with “Take a Ride” below;

Throwback Thursday | Kwanza Unit – Haturap

· Leave a comment ·

Kwanza Unit, often abbreviated as KU, translates to “First Unit” and was established in 1993 through the amalgamation of several factions, including the Villain Gangsters, headed by the renowned rapper Rhymson (also known as Ramadhan A. Mponjika), Riders Posse, Tribe X, and a variety of solo performers.

The founding members of Kwanza Unit include Rhymson, KBC (Kiba Cha Singo), D-Rob (Robert Mwingira), Eazy-B (Bernard Luanda), Fresh-G (Godfrey Koshuma), and Y-Tang aka Yusuph, among others. Additionally, there exists a broader network of affiliated individuals known as the Kwanza Unit Foundation or Kwanzanians.

The group’s debut album, titled Kwanza Unit, was launched in 1994, followed by their second album, Tropical Techniques, in 1996. Their third album, Kwanzanians, was released in 1999, available in both cassette and CD formats. The single “Msafiri,” featured on the third album, Kwanzanians, garnered considerable attention.

In today’s throwback post, we will spotlight the track “Haturap,” which includes verses from all five members who participated in the recording of the first album in 1994. I am providing a snippet of approximately 3 minutes for you to enjoy the essence of 90’s hip hop music in Tanzania. Relish this rare gem recorded at Mawingu Studios, Mwenge Dar-es-salaam, under the production of the legendary DJ and Producer Boniphace Kilosa, also known as DJ Boniluv.

Listen to “Kwanza Unit – Haturap” below;

Throwback Thursday | Mwana Fa – Unanisikiza Mchumba.

· Leave a comment ·

It is Thursday, and our Throwback Thursday feature for this week highlights this recently discovered jewelry 💎💎💎 by @j4manne from Africanhiphop.com. 

This video was filmed at Mawingu Studios in 2003, featuring a track by The Tanzanian Deputy Minister of Art, Culture and Sports, Hamis Mwinjuma @mwanafa, alongside the Legendary Producer and DJ @boniluv. 

This is a brief excerpt from a longer video recorded at Mawingu Studios. The song is titled “Unanisikiza Mchumba”

Enjoy The video below;

Throwback Thursday | Hard Blasters Crew – Mambo Ya Mjini.

· Leave a comment ·

It is Thursday once more, and today we are honoring the 90’s Tanzanian Hip Hop ensemble, The “Hard Blasters Crew” (HBC). The group initially consisted of five members: Terry Msiagi (Luna T aka Fanani), William Shundi (Big Willie aka Crazy One), Ngida Raphael (KC1), Gabriel Kilunga (Tuff Jam), and Frank Korassa (Trigger F).

In 1993, they took part in the Yo Rap Bonanza Competition and secured the second position. This achievement prompted them to launch their debut album, “Mambo Ya Mjini,” in 1994 which included hit tracks such as “Matapeli,” “Cheka nao,” “Mabishoo,” and “Ni Hard Blasters.”

Today, we will concentrate on the self-titled track from this LP, “Mambo Ya Mjini.” In this masterpiece, you will hear “Terry” and “Big Willy” sharing insights about urban life, and the chorus goes, “Usiige Mambo ya Mjini, Oh Yeah Usiige hovyo Mambo Ya Mjini, Ooh yeah.”

Special appreciation goes to Norbet for the audio.

Enjoy this rare gem below ⬇️ and remember to follow us on our social media pages across all platforms 💎 🔥🔥💥💥💯💯💯

Hard Blasters – Mambo Ya Mjini (Snippet)

Throwback Thursday | Underground Souls – Battlefield

· Leave a comment ·

This Thursday, http://www.ngomanagwa.com is presenting a unique track to celebrate this week’s Throwback Thursday, featuring the Dar-es-Salaam group known as “Underground Souls” with their impactful song titled “Battlefield“.

The group consisted of three members who each delivered powerful verses on this track. These members were Abbas Maunda “Emmam Abbas”, the late Steven Mdoe, also recognized as DJ Steve B, and Baraka Kongwa.

Released in 1997, this song made a significant impact on the airwaves of Radio One Stereo. The lyrics were entirely in English, encompassing all three verses along with the hook. These three artists ensured that all MCs active in the 90s were put on notice.

Enjoy this exceptional track below and remember to follow me on all my social media platforms. This is a snippet of this song (2 verses)